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  • Promo image for Plein Air Classes.

We've set a tentative date of June 10, 10am - 2:30pm for the resumption of Plein Air Class sessions in the Greater Seattle area. First session will meet at the home of one of the participants, featuring spacious decks with elevated views of Mt. Baker, the North Cascades and Lake Sammamish. More information can be found on the Classes page. #pleinairpainting,#greaterseattle,#outdoors,#landscapepainting,#oilpainting,#paintingclasses

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We've set a tentative date of June 10, 10am - 2:30pm for the resumption of Plein Air Class sessions in the Greater Seattle area. First session will meet at the home of one of the participants, featuring spacious decks with elevated views of Mt. Baker, the North Cascades and Lake Sammamish. More information can be found on the Classes page. #pleinairpainting,#greaterseattle,#outdoors,#landscapepainting,#oilpainting,#paintingclasses

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  • Power Struggle, oil on canvas, 32 x 42 inches, copyright ©2014

About 25 years ago I was teaching at what was then called The Academy for Realist Art, now called The Gage Academy. I initiated their plein air program, but for various reasons we parted company. Shortly after I left the academy Sue Perry called me and asked if I would consider teaching the plein air classes independently. That is how my plein air program began. Since that time, Sue has become a good friend, and I have continued to provide a "third eye" for her ongoing painting practice. She has become a serious and dedicated painter, and serves as an inspiration to others.

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About 25 years ago I was teaching at what was then called The Academy for Realist Art, now called The Gage Academy. I initiated their plein air program, but for various reasons we parted company. Shortly after I left the academy Sue Perry called me and asked if I would consider teaching the plein air classes independently. That is how my plein air program began. Since that time, Sue has become a good friend, and I have continued to provide a "third eye" for her ongoing painting practice. She has become a serious and dedicated painter, and serves as an inspiration to others.

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  • ARBORETUM ABSTRACTION oil on canvas, 22 x 28 in, copyright ©2004

From 1998 through 2005 Atsuko Lindley was my class monitor, for both plein air and studio sessions. Ako had been born in Tokyo, and moved to the United States in her late teens. She attended San Jose State University, majoring in art, and got her first job out of school at the Oakland Tribune as an illustrator.

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From 1998 through 2005 Atsuko Lindley was my class monitor, for both plein air and studio sessions. Ako had been born in Tokyo, and moved to the United States in her late teens. She attended San Jose State University, majoring in art, and got her first job out of school at the Oakland Tribune as an illustrator.

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